These four pages in the Migrations journal illustrate how using a variety of pop ups and paper colors or textures inside a standard sketchbook presents the artist with interesting visual and conceptual challenges. In these two page spreads I continued to use repetition of verses and images to move Czeslaw Milosz’s text and my drawings along even as I drew from memories and source photos I’d taken as visual prompts for this journal.
I’d sketched commuters for this book and taken pictures of my husband and me walking, and of him driving while we traveled. I felt that images of migration from one place to another would serve as a metaphor for the connections between how our consciousness/ soul travels in and out of our liminal states…like during contemplation, dreaming, or even drawing. Why do we travel like that? Is it ever possible to really know our destination? A place, a truth, or another.