Monthly Archives: July 2018

From Alto Cedro, 2018

From Alto Cedro To Mayari

Chan Chan, a famous song from Cuba, describes a country boy’s journey through life as a passage through the landscape. It is a rustic voyage on foot and by horse. We experience so much of our landscape differently, whizzing through it in cars, trains, planes, or online through apps like Google Earth. Each tempo is a prism that limits or expands our experience of the environment.

Size: 36 H x 24 W
Oils on Canvas

Alto Cedro

'Neath The Sugar Moon, 2018

‘Neath That Sugar Moon

The inspiration behind this painting is a cosmic dance and here the sun and moon equally share the dance floor. My partner and I both studied astronomy in school. Like countless others we drove through the night down to Oregon to see the full solar eclipse last summer.

We slept for a couple of hours in the back of our car, in a crowded parking lot of a Safeway. There were cars from Canada, California, Washington, and Oregon. Each full of excited pilgrims and astronomy nerds, waiting for totality.

The eclipse was an ecstatic moment, a true aesthetic experience full of sweetness and wonderment. But it was the shadow bands streaking across the floor that made my heart spin and leap like a leaf caught in a whirlwind.

‘Neath That Sugar Moon
Size: 36 H x 24 W
Oil on canvas

Neath Sugar Moon

Brimful Of Asha (White Face), 2018

Brimful of Asha (White Face)

And then there’s Brimful of Asha (White Face). Because opposites qualify each other– black and white. Just a tom peeking at you with a Bollywood tune on my mind.

26″h x 22″w
Mixed media on paper

Asha white face

This is a fun, pop image, and I hope it evokes a feeling of joy, like a kid playing hide and seek in the garden.

Brimful Of Asha, 2018

Brimful of Asha

Asha is a famous Bolliwood singer, who while remaining behind the scenes, brings joy and hopefulness to millions through her music.

I think of the countless cultivars in our environments as bringing nature’s hope and song into urban spaces.

I paint my pixilated eyes and tree reflections flashing past a window. A puckish tom providing a peek at another landscape.

Asha black face

Oils on canvas
36″h x 24″w

Girls Will Be Boys, 2017

In The Beginning: Girls Will Be Boys

Think of this piece as the genesis of the Puer archetype series.

The Eternal Man Child speaks in his own words:

While visiting friends in Buenos Aires, I stepped through an Aleph and was instantly born in Seattle, WA.  Yes, I was conceived full grown. With a beard.

I looked in a mirror and saw my previous self, who weirdly looked like me without a beard… or exactly like my mother, the great artist.

It was really trippy, especially with The Kinks playing in the background.

Girls Will Be Boys
12″h x 9″w
Mixed media on Jupo
2017

boys will be girls

Waiting For The Spark, 2018

Unveiling A New Series: Puer

I’ve been working on exploring a number of different archetypes through a variety of media in the Triumphs project which aims to transform notions of identity.  I call on a variety of recognizable symbolic markers to learn what it means to wear new identities in the stories we tell others and whisper to ourselves. Among the archetypes I explored are Migrations (The Hanged Man), Whistling Dixie (The Mandala), Charites (The Anima), Book of Hours (Judgement)…and now Puer (Eternal Child).

I’m always a little superstitious about showing my work before it is ready, but now that the series has taken shape it is time to make the work public.

Puer expresses a hunger for independence and freedom. He’s opposed to boundaries and limits, and prefers living in his own head instead of reality. To manifest this archetype, I assume a completely different identity, wearing a male persona complete with a beard and androgynous clothes, have an anglo name, and leave behind the limitations of my race and gender.

I first conceived of this series immediately after last year’s ACES Conference. It was the most exciting event I have attended, ever! To see hundreds of artists of color all gathered for one purpose, to stand witness to the stories shared by presenters and fellow artists was deeply cathartic…and exhausting. The last day of the conference coincided with the opening Our Daily Armor III at Virago Gallery. Several artists at ACES were also showing at Virago with me, and at the opening they too mentioned how moved and fatigued they were by the experience.

Resisting external and internal colonization, fighting the good fight– these take a lot out of you. It’s that extra emotional, psychic, and creative cost you pay for being an artist of color who engages with the world as it is.

I though deeply about  Elisheba Johnson’s comment that the art world was a gated community. It’s not just about how segregated it still is (don’t believe me? just look at the Power 100). It’s about how those who don’t face the same struggles POC do have the mental, emotional and creative space to explore and play.

I realized I needed to activate Puer in my studio.

Because Puer hates being constrained he goes where he pleases, traveling freely through an Aleph discovered in a Jorge Luis Borges short story.

I’ll begin posting about each piece in the Puer series now, so you can get to know where he’s been going and what he’s been painting.