I took my students to the Seattle Art Museum today, in preparation for the drawing Final. In conversation with one of the emerging artists in class, I found out that she had taught high school for five years before the system broke her.
Like me, she’s uncomfortable speaking in front of a class, so she marveled at how personable I am, despite introversion. Being personable is easy for me because though introverted I honest to goodness like people. All different kinds of peopleâ€“ they don’t have to agree with my politics or like what I like for me to enjoy their stories and points of view. I know that in our highly polarized world that’s unusual. But I was fortunate enough to have a socialist father and fascist mother who fell in love and married just 12 days after their initial meeting. From them, I learned that hearts don’t have to be defined or constrained by isms of any kind.
What’s always hard for me is the return to the classroom, standing at the front, with all eyes on me. It usually gives me insomnia the first week of each term, due to the anxiety of meeting so many new people all at once. I can feel sorry for myself when I’m tired like that. And then I remember that being a studio artist, being a public artist, being a teaching artistâ€“ these are all blessings that grace my life with opportunities to contribute to our larger cultural and art ecology.
Surrounded by the artworks and objects created by countless fine and crafts artists throughout the centuries, I was filled with a sense of responsibility and gratitude. Grateful to Seattle Art Museum for always welcoming my students. Grateful to all the hands that fashioned the works that engage us across time, unbound by the confines of nation, culture, gender. Like I do in the studio, as my students do in our classroom, each of these artists once upon a time touched this material world with their hearts their hands their minds leaving behind an indelible trace, a contribution to that great legacy to which we are all heirs.
I’ll spend quiet, reflective time in the studio over the summer. The easel is my home sweet home, but certainly, not my only opportunity to contribute.